1996 Cabernet Sauvignon
i
he told me he left parts of
himself in
his poems, his photographs,
for poetry was an
act of dying, painfully,
the price of beauty
always an arm, a leg,
a finger or two.
some men, i suppose, do their
art like they go to war.
so they jump out of airplanes,
drink acidic wines,
send 20-mike-mike tracers
floating up into the
midnight sky until something
explodes, purple
and god-like, awful to behold.
ii
my art, too is painful, hurtful
sometimes ,
brutal sometimes, unlike this
wine, so dark and
passionate, yet supple and kind.
oh, is cabernet a man?
is it a woman? who knows?
(who cares?)
still, i believe even gentle
memories can bump,
bruise against the mind.
and hurt me.
iii
as i watch them leave each year, i know their memories must fade. no, they’ll not return at fifty with flowers and poems or dedicate books to me on physics, law or cooking mustard chicken. ms. madeline giboin’s kindergarten class of 1996. it was a truly vintage year.
i, who taught them how to raise their hands, write their names, look for thumbkin, laugh at george and martha: one fine day, splatter paint, count to a hundred and lie in the bright spring grass, waiting for the sun to turn them into pumpkins.
iv
yes, i can see their faces,
crowding around me,
tugging, pulling at my
sleeves, until i
sit down with them, and
sing to them and
hold them in my arms, and
love, love them.
and then, on a warm june day,
they line up, laughing,
at the door. and are gone.
v
i do know what it’s like to have parts of my body scattered across the universe, to send twenty-five cartons of lowfat milk flying low over the horizon into a pale orange sun — but soft, softly. (oh, my dear!)
vi
so tell him i have known
the frail loneliness
of pinot noir. and the soft
brooding elegance
of cabernet. tell him that
one little elephant
went out to play, out on a
spider’s web one day.
tell him i can still see
their faces,
i can name each one.
tell him — well —
tell him, i love him.