1981 Pinot Noir
i
there was a time when i’d
sit for hours
on my AR speakers, looking
out the window at the rain,
listening to miles davis, or
glenn gould playing bach.
and i always tried to count
the rain drops as they fell,
naming them after horses
that i’d known:
lt. claiborne
timely arrival
lynody
horses don’t lie. trust me
ii
well, i used to hum some-
times and sing.
you know. the kinds of
songs you sing
when you’re in love with
a flower or a stone
or a tree. not a lotta
fun here, perhaps,
nothing to write home
about. for i
trust my 5.0 mustang
more than any man
i’ve ever known.
and i sing tallis.
and i shoot guns.
iii
so i’d make a terrible wife.
(so what?) but i have loved
all my children to the deepest
bone and all their sorrows
line my eyes, my face. even now
their laughter still flows
through my fingers when I play
my cello or iron these clothes.
they’re in my memory,
they’re in my blood.
sometimes i see them strutting
down the street, their
pendelton shirt tails flapping
behind them in the wind,
but if i smile and wave, they’ll
slip into the shadows and be
gone — so i simply nod my head
and drive on by. those crazy
little vatos, my third-grade
homeboys, who may die
some day for a barrio only
six blocks long.
georgie sanchez, j.j. castillo,
and little ricky davalos.
ricky. you remember him, don’t
you? i taught him how to tie his
shoes and almost how to read. his
cousin got smacked last
year in lodi. (mac 10, i believe.)
ricky, he brought me flowers.
iv
yes, i’d make a terrible wife,
telling someone that i
loved him but always afraid
to close my eyes,
kiss his lips, whisper his
name, hoping I’d
see you there instead. (yeah,
well, shame on me, OK?)
but still, i’m not afraid of
putting on weight,
chopping off my hair,
or dying.
and loneliness too means
nothing to me, just
poetry now, or johann
sebastian bach.
fresh-cut flowers.
jeff and ellie’s
pinot noir.